Bibliography of Art Librarianship by Betty Jo Irvine

SELECTED BIBLIOGRAPHY: SEMINAR IN ART LIBRARIANSHIP. L630.

School of Library & Information Science, Indiana University. 2005. B. J. Irvine, Ph.D.

AAL Newsletter. The Newsletter of the Association of Architectural Librarians.. Washington, D.C.: Association, 1987- .

Abbott, Ethelred. “Art Museum Libraries.” Special Libraries 25, no. 9 (November 1934): 243-250.

Abid, Ann B. “Loss Liability: Risk, Responsibility, Recovery.” Art Documentation 10, no. 4 (Winter 1991): 185-187.

Abid, Ann B., and Pisciotta, Henry. “ARLIS/NA Salary Survey: A Summary Report.” Art Documentation 11, no. 2 (Summer 1992):93-94.

________. ARLIS/NA Salary Survey 1990. Tucson, Ariz.: Art Libraries Society of North America, 1991.

ALA Yearbook of Library and Information Services. See “Art Libraries.”

Allen, Nancy S. “The Art and Architecture Program of the Research Libraries Group.” Art Libraries Journal 13, no. 4 (1988): 5‑10.

Allen, Susan M. “Toward an International Art Library: The Growth of the Research Library at the Getty Research Institute, 1979-2002.” Art Libraries Journal 27, no. 4 (2002): 25-31.

“Annual Bibliography of Art Librarianship.” See “Art Librarianship.” Art Libraries Journal.

ARLIS/NA Newsletter. Glendale, Calif.: Art Libraries Society of North America, 1972-1981.

ARLIS/NA Salary Survey 1990. See Abid, Ann B., and Henry A. Pisciotta.

ARLIS/NA Staffing Standards Task Force. Staffing Standards for Art Libraries and Visual Resources Collections. Raleigh, N.C.: Art Libraries Society of North America, 1996.

ARLIS/NA UPDATE. Fort Worth, Tex.: Art Libraries Society of North America, 1984- .

ARLIS/UK & EIRE NEWS‑SHEET. Bromsgrove, Eng.: Art Libraries Society, 1976‑ .

“ARLIS/UK & Ireland. 25th Anniversary.” Art Libraries Journal 19, no. 3 (1994).

Special Issue: History of ARLIS.

Art & Architecture Thesaurus Sourcebook. See Petersen. Toni.

“The Art Book. Papers from the IFLA Section of Art Libraries 4th European Conference, Oxford, April 1992.” Art Libraries Journal 17, no. 3 (1992).

Art Documentation: Bulletin of the Art Libraries Society of North America. Tucson, Ariz.: Art Libraries Society of North America, 1982- . Formerly ARLIS/NA Newsletter, 1972-1981.

“Art Librarianship.” Art Libraries Journal 16, no. 4 (1991)- . Formerly “Annual Bibliography of Art Librarianship.”

“Art Libraries.” ALA Yearbook of Library and Information Services. Chicago, Ill.: American Library Association, 1978‑83.

Art Libraries Journal. Preston, Eng.: ARLIS, 1976- .

Art Libraries Society of North America. <http://www.arlisna.org/>

________. Conference Abstracts. Tucson, Ariz.: Art Libraries Society of North America, 1987- . Published irregularly.

________. Handbook and List of Members. Tucson, Ariz.: Art Libraries Society of North America, 1982- .

________. Standards for Art Libraries and Fine Arts Slide Collections. Occasional Paper No. 2. Tucson, Ariz.: Art Libraries Society of North America, 1983.

Art Libraries Society of North America and the Visual Resources Association. Criteria for the Hiring and Retention of Visual Resources Professionals. rev. October 2002. <http://www.vraweb.org/criteria2.htm>

Art Periodicals. Papers of the 2nd European Conference of the Art Libraries of IFLA. Amsterdam: International Federation of Library Associations, 1986.

Art Reference Services Quarterly. Binghamton, N.Y.: Haworth Press, 1993-94.

ArtMARC Sourcebook: Cataloging Art, Architecture, and their Visual Images. See McRae, Linda, and Lynda White.

Arts Newsletter. Association of College and Research Libraries Arts Section. Chicago, Ill.: Arts Section, 1985- .

Auchstetter, Rosann. “The Relationship Between Monetary Value and Circulation Status of Art Books.” Art Documentation 7, no. 3 (Fall 1988): 83‑86.

Austin, Gabriel. “The Economics of Art Publishing.” ARLIS/NA Newsletter 8, no. 4/5 (Summer 1980): 113, 115.

Authority Control Symposium. Muller, Karen.

Avann, Michael, ed. User Education in Art and Design. Bromsgrove, Worcester, U.K..: ARLIS/UK & Eire, 1980.

Baca, Murtha, ed. Introduction to Art Image Access, Issues, Tools, Standards, Strategies. Los Angeles, Calif.: Getty Research Institute, 2002.

Baca, Murtha, and Patricia Harpring, eds. “Art Information Task Force CATEGORIES FOR THE DESCRIPTION OF WORKS OF ART.” Visual Resources 11, no. 3-4 (1996). Special Issue.

Barnett, Patricia J., and Amy Lucker, eds. Procedural Guide to Automating an Art Library. Occasional Paper No. 7. Tucson, Ariz.: Art Libraries Society of North America, 1985.

Barnett, Patricia J., and Toni Petersen, eds. “Subject Analysis and AAT/MARC Implementation.” Art Documentation 8, no. 4 (Winter 1989): 171‑90.

Bates, Marcia J., Deborah N. Wilde, and Susan L. Siegfried. “An Analysis of Search Terminology Used by Humanities Scholars: The Getty Online Searching Project Report Number 1.” Library Quarterly 63, no. 1 (January 1993): 1-39. See also: Siegfried et al, 1993.

Baxter, Paula. International Bibliography of Art Librarianship. An Annotated Compilation. Münichen: Saur, 1987.

________. “Viewpoint: An Inside Look at Art Book Publishing.” Art Documentation 3, no. 4 (Winter 1984): 120‑22.

Bell, Lesley Ann. “Gaining Access to Visual Information: Theory, Analysis, and Practice of Determining Subjects–A Review of the Literature with Descriptive Abstracts.” Art Documentation 13, no. 2 (Summer 1994): 89-94.

Besser, Howard, and Trant, Jennifer. Introduction to Imaging: Issues in Constructing an Image Database. Santa Monica, Calif..: Getty Art History information Program, 1995. See also: <http://www.getty.edu/research/institute/standards/introimages/index.html>

Bierbaum, Esther. Museum Librarianship: A Guide to the Provision and Management of Information Services. 2nd ed. Jefferson, N.C.: McFarland, 2000.

Brown, Jeanne M., comp. Library Instruction for Students in Design Disciplines: Scenarios, Exercises, & Techniques. Occasional Paper No. 13. Kanata, Ontario, Canada: Art Libraries Society of North America, 2002.

Brown, Jeanne, Paul Glassman, and Janine J. Henri. The Library and the Accreditation Process in Design Disciplines: Best Practices. Occasional Paper No. 14. Kanata, Ontario: Art Libraries Society of North America, 2004.

Bryne, Nadene. “Art Libraries: Collection Development in the 1980s. Selection and Acquisition in an Art School Library.” Library Acquisitions: Practice and Theory 7 (1983): 7-11.

Bunting, Christine. Reference Tools for Fine Arts Visual Resources. Occasional Paper No. 4. Tucson, Ariz.: Art Libraries Society of North America, 1984.

[Carlin] Snider, Jane A. A Study of Art Book Publishing in Great Britain with Special References to Developments after 1945. Wales, U.K.: College of Librarianship, 1983. Photocopied.

Carlin, Jane A. “Heralding the Future: the Art Publisher in Great Britain from the 1920s through the Post-War Era.” Art Libraries Journal 17, no. 3 (1992): 18-26.

Cataloging Architectural Drawings. See Ross, Jeffrey J.

Cataloguing Cultural Objects. A Guide to Describing Cultural Works & Their Images. See Visual Resources Association.

Caudwell, James. “Fluxion-structures: Records for Remote Access Electronic Resources.” Art Libraries Journal 29, no. 4 (2004): 5-20.

Chemero, Andrea, Caroline Seigel, and Terrie Wilson. “How Libraries Collect and Handle Artists’ Books.” Art Documentation 19, no. 1 (2000): 22-25. L630 paper.

Chermont, Isabelle le Masne. “The Architecture of Museum Libraries: An Overview of the Years 2000 to 2003.” Art Libraries Journal 29, no. 3 (2004): 28-31.

Clarke-Hazlett, Janet, ed. Current Issues in Fine Arts Collection Development. Occasional Paper No. 3. Tucson, Ariz.: Art Libraries Society of North America, 1984.

Collection Development Policies for Libraries and Visual Collections in the Arts. See Whiteside, Ann Baird, Pamela Born, and Adeane Alpert Bregman, comps.

Concordance of Ancient Site Names. See Fry, P. Eileen and Maryly Snow.

“Continuing Education for Art Librarianship.” Art Libraries Journal 19, no.2 (1994):25-29.

Copyright. See Visual Resources Association.

Copyright Management Center, Indiana University-Purdue University at Indianapolis. Copyright & Fair Use: Their Meaning in Higher Education.” See sections: “Visual Arts;” and “Multimedia Development.” <http://www.oupui.edu/~copyinfo/>

Copyright Town Meetings and Forums. See NINCH (National Institute for a Networked Cultural Heritage.

“Cost and Use of Digital Images on University Campuses: Lessons from the Museum Educational Site Licensing Project.” Visual Resources. 14, no. 4 (1999). Special Issue.

Cowan, Sandra. “Informing Visual Poetry: Information Needs and Sources of Artists.” Art Documentation 23, no. 2 (Fall 2004: 14-20.

Cullars, John. “Citation Characteristics of Monographs in the Fine Arts.” Library Quarterly 62, no. 3 (July 1992): 325-342.

Cuneo, Mary Jane. “Art Cataloging: Looking back in North America, 1972‑1982.” Art Libraries Journal 7, no. 4 (Winter 1982): 11‑22.

Current Issues in Fine Arts Collection Development. See Clarke‑Hazlett, Janet.

Digital Images and Art Libraries in the Twenty-First Century. See Wyngaard, Susan.

“Digital Imagery for Works of Art.” Harvard University Art Museums [meeting report]. Sponsored by the National Science Foundation and the Andrew W. Mellon Foundation. November 2001. <http://dli2.nsf.gov/mellon/index.html>

Digital Library Federation and Research Libraries Group. “Guides to Quality in Visual Resource Imaging.” <http://www.rlg.org/visguides/>

“Discovering our Past: Early Art Library Leaders.” Art Documentation 16, no. 2 (Fall 1997): 3-14.

See papers on John Cotton Dana, Samuel Putnam Avery, and Helen Clay Frick.

Dole, Wanda V. “Art Libraries: Collection Development in the 1980s: A Panel Discussion Held During the Art Libraries Society of North America Annual Conference, Boston, MA, February 22, 1982. the LAPT Report.” Library Acquisitions: Practice and Theory 7 (1983): 3-4.

________. “Austerity and the Arts: Collection Development in the 1980s.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 28-37.

Dowell, Erika. “Interdisciplinarity and New Methodologies in Art History: A Citation Analysis.” Art Documentation 18, no. 1 (1999): 14-19. L630 paper.

Downey, Kay. “Not my father’s auction catalog database! SCIPIO, 1980 to 2003.” Art Libraries Journal 29, no. 2 (2004): 17-22.

Duthy, R. “Art Book Prices Outpace Art.” The Journal of Art 3, no. 3 (December 1990): 64. Supplement.

“The Early History of Phaidon Press, 1923-1967.” Visual Resources 15, no. 3 (1999).

Flynn, Marcy and Zinkham, Helena. “The MARC Format and Electronic Reference Images: Experiences from the Library of Congress Prints and Photographs Division.” Visual Resources 11, no. 1 (1995): 47-70.

Ford, Simon, ed. Information Sources in Art, Art History and Design. München: Saur, 2001.

Freeman, Carla C. “Visualizing Art: An Overview of the Visual Resources Profession in the United States.” Art Documentation 16, no. 2 (Fall 1997): 31-34.

Freitag, Wolfgang M. “ARLIS/NA at Twenty-five: A Reminiscence.” Art Documentation 16, no. 2 (Fall 1997): 15-19.

________. “Art Libraries and Collections,” in Encyclopedia of Library & Information Science, ed. Allen Kent, vol. I, 571‑621. New York: Dekker, 1969.

________. “Art Reproductions in the Library. Notes on their History and Use,” in The Documented Image. Visions in Art History, eds. Gabriel P. Weisbergand Laurinda S. Dixon, 349‑63. New York: Syracuse University Press, 1987.

________. “Honoring Florence DaLuiso.” Art Documentation 23, no. 2 (Fall 2004): 44-45.

________. “Indivisibility of Art Librarianship.” Art Libraries Journal 7, no. 3 (Autumn 1982): 23‑40.

________. “Twenty Years of Estrangement, or What’s in a Name.” Art Documentation 22, no. 2 (Fall 2003): 4.

Freitag, Wolfgang M., and Guy A. Marco, eds. “Music and Fine Arts in the General Library.” Library Trends 23, no. 3 (January 1975).

French, Sonia. “Supporting the Work of Art Libraries in Society: The Role of the Professional Association.” Art Libraries Journal 28, no. 2 (2003): 29-33.

Fry, Eileen, review of “Linking Art Objects and Art Information,” by Deirdre C. Stam and Angela Giral, eds., in Library Trends, 37, no. 2 (Fall 1988), and “Computers and the Future of Art Research: Visions, Problems, Projects,” by Hans-Jörg Heusser, ed., in AICARC, Bulletin of the Archives and Documentations Centers for Modern and Contemporary Art, no. 2 (1986) and no. 1 (1987), Visual Resources 6 (1990): 285-289.

_______. “Image Access and Cyber Searching: The Philadelphia Experiment.” Art Documentation 17, no. 2 (Fall 1998): 51-52.

Fry, Eileen, and Maryly Snow. Concordance of Ancient Site Names. Raleigh, N.C.: Art Libraries Society of North America, 1995.

“Fund Raising and Grant Writing: The Facts of Life in the 1990s.” See Tysinger, Joan W.

“Fundraising 101 for Art Librarians: The Inferno Example.” See Resnik, Rachel.

Gabbard, Paula. “Book Price and Book Production Study in the Fine Arts.” Art Documentation 14, no.1 (Spring 1995): 19-21.

Gibson, Sarah S. “The Past as Prologue: The Evolution of Art Librarianship.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 3‑17.

Gill, Tony, and Grout, Catherine. “Finding and Preserving Visual Arts Resources on the Internet.” Art Libraries Journal 22, no. 3 (1997): 19-25.

Godlewski, Susan G. “Report: A Survey of Reference Services in Art Libraries.” Art Documentation 8, no. 2 (Summer 1989): 67‑69.

Grant Development for Large and Small Libraries. See Korenic, Lynette and Clayton Kirking.

Graven, Angela. “Web-Based Auction Resources: The Sites and How Art Libraries Use Them.” Art Documentation 22, no. 2 (Fall 2003): 26-29.

Guidelines for the Layout and Content of Booksellers’ Catalogues. Bromsgrove, Worcester, U.K..: ARLIS/UK & Eire, 1987.

Guidelines for Art and Design Libraries: Stock, Planning, Staffing and Autonomy. Bromsgrove, Worcester, U.K.: ARLIS/UK & Eire, 1990.

Guidelines for the Visual Resources Profession. See Kopatz, Kim.

Gwinn, Nancy E. “Cooperative Collection Development: National Trends and New Tools.” Art Documentation 4 no. 4 (Winter 1985): 143-147.

Haines, Annette. “Out in Left Field: The Benefits of Field Librarianship for Studio Arts Programs.” Art Documentation 23, no. 1 (Spring 2004): 18-20.

Harrison, Harriet W. “Cataloging Visual Images: The View from LC.” Art Documentation 15, no. 2 (1996): 13-16.

Haskell, Francis. The Painful Birth of the Art Book. New York: Thames & Hudson, 1988.

Havens, Carolyn. “Cataloging a Special Art Collection.” Cataloging and Classification Quarterly 9, no. 4 (1989): 27-49.

Hazlett, J. Clarke, ed. Current Issues in Fine Arts Collection Development. Ocasional Paper No. 3. Tucson, Ariz.: Art Libraries Society of North America, 1984.

Hennessey, Christine. “The Status of Name Authority Control in the Cataloging of Original Art Objects.” Art Documentation 5, no. 1 (Spring 1986): 3‑10.

Historical Bibliography of Art Museum Serials from the United States and Canada. See Klos, Sheila M. and Christine M. Smith.

Hicks, Kathe. “Networked Museum Images on Campus: Applications and Impact of the Museum Educational Site Licensing Project.” Visual Resources Association Bulletin 25, no. 1 (Spring 1998): 49-52.

Hill, Thomas. “Ask ARLIS II: Getting Involved Internationally.” Art Documentation 11, no. 2 (Summer 1992): 70-71.

________, ed. and comp. IFLA Directory of Art Libraries. Münichen: Saur, 1997. See also: <http.//artlibrary.vassar.edu/ifla-idal/>

Hoffberg, Judy. “Art Library Science: A Fresh Start,” in Comparative and International Library Science, ed. John F. Harvey, 270-274. Metuchen, N.J.: Scarecrow Press, 1977.

Holden, Wendy. A Guide to Cataloguing Chinese Art. Visual Resources Association, 2004.

Horrell, Jeffrey. “The RLG Conspectus and The NCIP Project: A Means to a Beginning.” Art Documentation 6, no. 3 (Fall 1987): 106‑107.

Houghton, Beth. “Whatever Happened to Tutor Librarianship?” Art Libraries Journal 1, no. 4 (Winter 1976): 4‑19.

Hourihane, Colum, ed. Subject Classification for Visual Collections: An Inventory of Some of the Principle Systems Applied to Content Description in Images. VRA Special Bulletin No. 12. Columbus, Ohio: Visual Resources Association, 1999.

Huntsberry, Sgt. J. Steve. “The Legacy Thief: The Hunt for Stephen Blumberg.” Art Documentation 10, no. 4 (Winter 1991): 181-183.

IFLA Directory of Art Libraries. See Hill, Thomas.

IFLA. International Federation of Library Associations. Special Libraries Division. Section of Art Libraries. See Newsletter.

IFLA Section of Art Libraries, ed. Multilingual Glossary for Art Librarians. English with Indexes in Dutch, French, German, Italian, Spanish and Swedish. 2nd rev. ed. Münichen: Saur, 1996.

“Images in Libraries, Museums, and Archives: Description and Intellectual Access, Papers from PACSCL (The Philadelphia Area Consortium of Special Collections Libraries).” Visual Resources 11, no.1 (1995). Special Issue.

“Implications of the New Visual Resources Technologies for the Classrooms and Museums of the Twenty-first Century. Parts I and II.” Visual Resources Association Bulletin 22, no. 2 (Summer 1995): 54-91.

International Bulletin for Photographic Documentation of the Visual Arts, 1980‑88. Formerly Mid‑America College Art Association Slides & Photographs Newsletter, 1974‑1979. Continued by Visual Resources Association Bulletin.

Introduction to Vocabularies: A Guide to Enhancing Access to Art and Material Culture Information. See Lanzi, Elisa.

Irvine, Betty Jo. “ARLIS/NA Facilities Questionnaire: Tabulation Summary Addendum.” Art Documentation 6, no. 3 (Fall 1987): 111-113.

________, “Chinese Art Libraries: Developments and Trends. Part I.” Art Libraries Journal 25, no. 4 (2000): 28-33.

________. “Chinese Art Libraries: Developments and Trends. Part II.” Art Libraries Journal 26. no. 1 (2001): 36-41.

________, “Core Competencies for a Seminar in Art Librarianship.” New York, N.Y.: ARLIS/NA Annual Conference, 2004. Photocopied.

________, “Dual Master’s Degree in Art Librarianship, USA.” Art Libraries Journal 19, no. 2 (1994): 9-11.

________, ed. Facilities Standards for Art Libraries and Visual Resources Collections. Englewood, Colo.: Libraries Unlimited, 1991.

________. “From the President.” Art Documentation 11, no. 2 (Summer 1992): 95-96.

Historical background about ARLIS/NA Annual Conferences.

________. “Fine Arts Librarianship. School of Library & Information Science Career Path, Indiana University.” <http://www.slis.indiana.edu/careers/mls_paths/fine_arts.html>

________. See Learned, Elizabeth Peck, and Stephanie Sigala. “Metamorphosis of a Mentor: An Interview with B. J. Kish Irvine.”

________. “A Selection from a Building‑Program Profile,” in Art Libraries and Information Services, Lois S. Jones and Sarah S. Gibson, 307‑314. Orlando, Fla.: Academic Press, 1986.

________. “Standards I Committee: Space Planning for Art Library Collections in North America.” Art Documentation 7, no. 4 (Winter 1988): 156.

________, with Auchstetter, Rosann. “ARLIS/NA Facilities Questionnaire: Tabulation Summary.” Art Documentation 5, no. 4 (Winter 1986): 156‑159.

________, with Fry, P. Eileen. Slide Libraries: A Guide for Academic Institutions, Museums, and Special Collections. 2nd ed. Littleton, Colo.: Libraries Unlimited, 1979.

________, and Korenic, Lyn. “Survey of Periodical Use in an Academic Art Library.” Art Documentation 1, no. 5 (October 1982): 148-151.

Jansen, Catharine. “Art Museum Libraries: Automation & Services to the Public.” Art Documentation 22, no. 1 (Spring 2003): 21-8. L630 paper.

Jones, Lois S. Art Information and the Internet. How to Find It, How to Use It. Phoenix, Ariz.: Oryx Press, 1999.

________, and Gibson, Sarah S. Art Libraries and Information Services. Orlando, Fla.: Academic Press, 1986.

Keaveney, Sydney Starr. Contemporary Art Documentation and Fine Arts Libraries. Metuchen, N.J.: Scarecrow Press, 1986.

Kenney, Anne R., and Chapman, S. Digital Imaging for Libraries and Archives. Ithaca, N.Y.: Dept. of Preservation and Conservation, Cornell University Library, 1996.

________, and Oya Y. Rieger, eds. and principal authors. Moving Theory into Practice: Digital Imaging for Libraries and Archives. Mountain View, Calif.: Research Libraries Group, 2000.

Klos, Sheila M., and Christine M. Smith, eds. Historical Bibliography of Art Museum Serials from the United States and Canada. Occasional Paper No. 5. Tucson, Ariz.: Art Libraries Society of North America, 1987.

Knox, Katharine. The Story of the Frick Art Reference Library. New York: The Library, 1979.

Kopatz, Kim, ed. Guidelines for the Visual Resources Profession. Laugna Beach, Calif.: Art Libraries Society of North America and the Visual Resources Association, 2000.

Korenic, Lyn. “Inside the Discipline, Outside the Paradigm: Keeping Track of the New Art History.” Art Libraries Journal 22, no. 3 (1997): 12-18.

­Korenic, Lynette, and Clayton Kirking. Grant Development for Large and Small Libraries. Occasional Paper No. 8. Tucson, Ariz.: Art Libraries Society of North America, 1990.

Kornegay, Kevin. “Access vs. Ownership in U.S. Copyright Law.” Visual Resources Association Bulletin 30, no. 1 (Summer 2003): 53-61.

Kusnerz, Peggy A., ed. The Architecture Library of the Future. Complexity and Contradiction. Ann Arbor: University of Michigan Press, 1989.

________. “Collection Evaluation Techniques in the Academic Art Library.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 38-51.

Lambert, Susan. “The National Art Library Repositioned.” Art Libraries Journal 27, no. 4 (2002): 5-11.

Lanzi, Elisa. “Cataloguing Cultural Objects: New Guidelines for Descriptive Cataloging.” Art Libraries Journal 29, no. 4 (2004): 26-52.

_______. “The REACH and VISION Projects: Improving Access to Art Information.” Art Documentation 17, no. 1 (Spring 1998): 15-18.

________. Introduction to Vocabularies: A Guide to Enhancing Access to Art and Material Culture Information. J. Paul Getty Trust. <http://www. getty.edu/research/conducting_research/vocabularies/>

Larsen, John C. Museum Librarianship. Hamden, Conn.: Library Professional Publications, 1985.

Lazzi, Giovanni, ed. I Cataloghi delle Esposizioni. IFLA Section of Art Libraries. Third European Meeting, 1988, Florence, Italy. Fiesole: Casalini, 1989.

Learned, Elizabeth Peck, and Stephanie Sigala. “Metamorphosis of a Mentor: An Interview with B. J. Kish Irvine.” Art Documentation 19, no. 2 (Fall 2000): 22-26.

Leighton, Philip D., and David C. Weber. Planning Academic and Research Library Buildings. 3rd ed. Chicago: American Library Association, 2000.

Lemke, Antje. “Education for Art Librarianship.” Art Libraries Journal 7, no. 4 (Winter 1982): 36‑42.

The Library and the Accreditation Process in Design Disciplines: Best Practices. See Brown, Jeanne M., Paul Glassman, and Janine J. Henri.

Library Instruction for Students in Design Disciplines: Scenarios, Exercises, & Techniques. See Brown, Jeanne M.

Library of Congress. Prints and Photographs Division. Thesaurus for Graphic Materials. Washington, D.C.: Library of Congress, 1995.

Lockard, Rayanne. “An Unexpected Future: A New Century Dawns for Art Librarians and Image Curators.” Art Documentation 19, no. 1 (Spring 2000): 6-13.

Mahard, Martha. “Indivisibility in the Twenty-First Century, or the Elephant in the Living Room.” Art Documentation 22, no. 2 (Fall 2003): 5-7.

Markey, Karen. Subject Access to Visual Resources Collections: A Model for Computer Construction of Thematic Catalogues. Westport, Conn.: Greenwood Press, 1987.

Marmor, Max. “ArtSTOR: A Digital Library for the History of Art.” Art Libraries Journal 27, no. 3 (2002): 26-29.

________, “Baedeker and Art Bibliography.” Art Documentation 14, no. 4 (Winter 1995): 25-26.

Martinez, Katherine. “Imaging the Past: Historians, Visual Images and the Contested Definition of History.” Visual Resources 6, no. 1 (1995): 21-45.

______. “The Research Libraries Group: New Initiatives to Improve Access to Art and Architecture Information.” Art Libraries Journal 23, no. 1 (1998): 30-37.

McRae, Linda, and Chrisman, Larry. “A Comparative Study of Visual Resources Collections in Libraries and Academic Departments.” Art Documentation 10, no. 1 (Spring 1991): 27-30.

McRae, Linda, and Lynda White, eds. ArtMARC Sourcebook: Cataloging Art, Architecture, and their Visual Images. Chicago: American Library Association, 1988.

Minters, Arthur. Collecting Books for Fun and Profit. New York, N.Y.: Arco, 1979.

Mount, Sigrid D. “Evolutions in Exhibition Catalogues of African Art.” Art Libraries Journal 13, no. 3 (1988): 14‑19. L630 paper.

Muller, Karen, ed. Authority Control Symposium. Occasional Paper No. 6. Tucson, Ariz.: Art Libraries Society of North America, 1987.

Multilingual Glossary for Art Librarians. English with Indexes in Dutch, French, German, Italian, Spanish and Swedish. See IFLA Section of Art Libraries.

Museum Librarianship. See Larsen, John C.

The Museum. A Reference Guide. See Shapiro, Michael S., ed.

Neth, Marcy. “Citation Analysis and the Web.” Art Documentation 17, no. 1 (1998): 29-33. L630 paper.

Newsletter. International Federation of Library Associations. Section of Art Libraries. The Section, 1981- .

NINCH (National Institute for a Networked Cultural Heritage. Copyright Town Meetings and Forums. <http://ninch.org/index.html>

Noo, Madeleine M. de. The Cataloguing and Subject Indexing of Art Literature. A Bibliography. Groningen, 1984.

Northeast Document Conservation Center. See the “School for Scanning: Building Good Digital Collections,” and “Handbook for Digital Projects: A Management Tool for Preservation and Access.” <http:www.nedcc.org>

Object, Image, Inquiry: The Art Historian at Work. See Schmitt, Marilyn, ed.

O’Connor, Diane V. “Exhibitions in Cyberspace: Museum Exhibition Documentation at the Millenium.” Art Documentation 15, no.1 (1996): 17-19.

Pacey, Philip, ed. Art Library Manual: A Guide to Resources and Practice. London: Bowker, 1977.

Pacey, Philip, ed. A Reader in Art Librarianship. München: Saur, 1985.

_______. “Toward an ARLIS International: An Interview with Philip Pacey.” Art Documentation 16, no. 2 (Fall 1997): 35-39.

Pantalony, Rina E. “The Carrot v. the Stick: Can Copyright be Used to Enhance Access to Cultural Heritage Resources in the Networked Environment?” Art Libraries Journal 25, no. 4 (2000): 4-11.

Petersen, Toni, ed. Art & Architecture Thesaurus Sourcebook. A Project of the AAT Advisory Committee. Occasional Paper No. 10. Raleigh, N.C.: Art Libraries Society of North America, 1996.

Petersen, Toni, and Molholt, Pat. Beyond the Book: Extending MARC for Subject Access. Boston: G.K. Hall, 1990.

Phillpot, Clive. “Art, Anarchy and the Open Library.” Art Libraries Journal 16, no. 4 (1991): 4-10.

Procedural Guide to Automating an Art Library. See Barnett, Patricia J., and Amy Lucker.

“Publishing.” The Art Newspaper 5, no. 43 (December 1994). Supplement.

Reference Tools for Fine Arts Visual Resources. See Bunting, Christine.

Research Agenda for Networked Cultural Heritage. Santa Monica, Calif.: Getty Art History Information Program, 1996.

Resnik, Rachel. “Fundraising 101 for Art Librarians: The Inferno Example.” Art Documentation 23, no. 2 (Fall 2004): 27-32.

Rhyne, Charles. “Student Evaluation of the Usefulness of Computer Images in Art History and Related Disciplines.” Visual Resources 13, no. 1 (1997): 67-81.

Rinehart, Michael. “Art Databases & Art Bibliographies: A Survey.” Art Libraries Journal 7, no. 2 (Summer 1982): 17-31.

________.”A Bibliography and Its Languages: The ‘Bibliography of the History of Art’.” Art Libraries Journal 16, no. 2 (1991): 10-13.

Ritchie, Andrew C., Lorenz Eitner, and Norman L. Rice. The Visual Arts In Higher Education. College Art Association [printed at Yale University Press, New Haven, Conn.], 1966.

Robertson, Jack. “Education and Continuing Training for Art Librarianship: A North American Perspective.” Art Libraries Journal 19, no. 2 (1994): 12-16.

________. “Survey of Library Schools in North America: Educational & Training Opportunities for Careers in Fine Arts Libraries & Visual Resources Collections.” Art Documentation 10, no. 3 (Fall 1991): 141-143.

________. “Survey 1991: Library Schools in Canada and the United States, Educational Opportunities for Careers in Fine Arts & Visual Resources Librarianship.” Art Documentation 11, no. 4 (Winter 1992): 188-189.

Rose, Trish. “Technology’s Impact on the Information-Seeking Behavior of Art Historians.” Art Documentation 21, no. 2 (Fall 2002): 35-42. L630 paper.

Ross, Alexander. “Administrative Challeges in the ’90s.” Art Documentation 12, no. 2 (Summer 1993): 50-52.

Ross, Jeffrey J. ed. Cataloging Architectural Drawings. Topical Paper No. 1. Tucson, Ariz.: Art Libraries Society of North America, 1992.

Schmitt, Marilyn. “ALAS, The Failure to Communicate: Thoughts on the Symbiosis of Scholars, Information Managers and Systems Experts.” Art Documentation 9, no. 3 (Fall 1990): 137‑138.

________, ed. Object, Image, Inquiry: The Art Historian at Work. Report on a Collaborative Study by The Getty Art History Information Program (AHIP) and the Institute for Research in Information Scholarship (IRIS) Brown University. Santa Monica, Calif.: J. Paul Getty Trust, 1988.

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