Assistant Archivist– Corning Museum of Glass
P/T Records Manager/Archivist– Segerstrom Archive
Collections Photographer (Library Technical Assistant IV)– NYPL
Art Library Students & New ARLIS Professionals
Position: Manager of Digital Assets and Collections Information
Reports to: Chief Archivist/Librarian
Located on 200 acres in Potomac, Maryland, Glenstone strives to provide visitors with a unique experience through the seamless integration of art, architecture, and landscape. Its first exhibition building was designed by late architect Charles Gwathmey and opened to the public in 2006. It hosts a series of rotating exhibitions with artworks drawn from Glenstone’s permanent collection of post-World War II art. The outdoor landscape is home to monumental sculptures carefully placed amidst rolling pasture and unspoiled woodland. Admission is always free, and visits are scheduled by appointment to encourage an unhurried, intimate engagement between the viewer and their surroundings.
Glenstone is now embarking upon an expansion in order to strengthen its commitment to the viewing public. The centerpiece of this project will be the construction of a new exhibition building designed by Thomas Phifer and Partners. The building will highlight a series of discreet pavilions, or “rooms” surrounding a central water courtyard, many of which will be devoted to single-artist installations. It will provide significantly expanded gallery space and state of the art collection storage. Landscape architects Peter Walker and Partners will also oversee a revised master plan of Glenstone’s outdoor landscape. Finally, the expansion will incorporate a new public entrance and visitor amenities, to support a more comfortable and rewarding visit.
To develop detailed requirements for systems to manage Glenstone’s digital assets, including: a Digital Asset Management System (DAMS) and/or Digital Preservation System.
Produce a short and long-range plan as it relates to the creation, management, and use of information, digital assets, and other collections-related assets; deliverable due by end of appointed term.
Work closely with IT and other departments to ensure the reliability, security, and accessibility of all digital asset and collections information systems, including managing user groups, permissions, workflows, and reporting.
Work with records creators across departments to establish logical file directory structures, naming conventions, metadata standards, and formats for born-digital records and assets.
Develop and/or adopt metadata standards for digital assets and collections information.
Develop policies, procedures, and workflows for the ingestion of digital assets and collections information into all digital asset and collections information systems. Train staff accordingly and monitor compliance.
Develop and implement digital preservation strategies.
3-5 years of experience overseeing digital asset management and/or collections information management in a museum or archival setting.
BA or equivalent in Art History, History or Humanities. Advanced degree, preferably MLIS with archival focus, or Museum Studies with Collections Information Management and/or Digital Asset Management focus highly preferred; or equivalent combination of education and experience.
Knowledge of current best practices related to DAMS and collections information metadata, processes, and preservation strategies.
Experience selecting and implementing digital asset management and/or collections information management systems.
Experience and familiarity with one or more of the leading digital asset management systems, e.g., ADAM, Canto Cumulus, Extensis Portfolio, MeGlenstoneBin, NetXposure, Razuna, Xinet.
Familiarity with one or more of the leading ILS or AMS platforms, e.g., Aleph/Voyager, Archivists’ Toolkit, Archon, CollectiveAccess, CuadraSTAR, Koha, Millennium, Omeka.
Experience crafting institutional digitization and digital preservation strategies.
Excellent verbal and written communication skills.
Experience implementing open source software.
Familiarity with current cataloging best practices and metadata standards for collections in museums, libraries, and archives, including Cataloging Cultural Objects (CCO), LIDO, CDWA Lite, AAT, ULAN, DACS, EAD, MARC, AACR, LCSH, Dublin Core, PBCore, VRA Core, IPTC Core, XMP, EXIF, METS, MODS, and other standards as appropriate.
Ability to work with staff possessing a wide range of technical competence.
Experience and/or familiarity with CRM software.
Salary: Glenstone offers a competitive salary. This is a six-month, term position.
Electronically submit a cover letter, resume, list of three professional references, and a writing sample to HR@glenstone.org, or mail to:
Human Resources Generalist
12002 Glen Road
Potomac, MD 20854
Date Posted: May 20, 2014
Deadline: June 6, 2014
INDEXING/TAXONOMY PROJECT INTERNSHIP, DIGITAL ARCHIVE
BOMB Magazine, a 31-year-old nonprofit art and culture publication, is seeking highly motivated, detail-oriented interns to assist with its website expansion, archive completion, and social media outreach. Join a fun, creative group of artists, writers, musicians, and filmmakers committed to celebrating BOMB’s print legacy. Interns will use a full range of editorial talents, including copy writing, fact checking, and proofreading, while exercising skills specific to library science implementing our site’s new index and taxonomy. Attention to detail and ability to follow project guidelines area a must. The ideal candidates will be able to meet deadlines and work independently but function as a team when needed. All interns will get to write original posts for the blog and participate in strategic social media initiatives. On the job training of software and web coding available.
Internships require a three-to-four-day-week minimum commitment. Hours are from 10:30 AM–6:00PM.
BOMB Magazine is a 501(c)(3) nonprofit, and although there is no stipend available, as an intern at BOMB, you will have the opportunity to write for the magazine’s blog and contribute to other projects as needed, as well as help out at launch events, art fairs, literary readings, and auctions.
It’s an exciting time to join the BOMB team, as new opportunities for growth are emerging.
Please apply to firstname.lastname@example.org specifying the internship to which you are applying for in the subject line. Do include a cover letter and CV.
The Tenement Museum seeks a Collections Manager & Registrar, who will be responsible for the day-to-day oversight and preservation of the Museum’s Collections, which include its historic structures and archive. Responsibilities include accessioning, processing incoming/outgoing loans, maintaining collections data systems, exhibition management, preventative conservation care, archives and records management, and emergency response and recovery. The Collections Manager supervises the work of consultants and interns, and works closely with the Museum’s Education Department and Facilities Department. This position reports to the Director of Curatorial Affairs.
Candidates should hold a Masters Degree in Library Science, History, Anthropology, Historic Preservation or related field and have at least 2 years experience. Candidate should be detail oriented, possess strong oral and written communication skills, and have a working knowledge of PastPerfect Museum Software.
Commensurate with experience. Complete benefits package.
Please send cover letter and resume to email@example.com. No phone calls, please.
Deadline to apply: July 15, 2011.
The Baltimore Museum of Art is seeking an experienced Project Archivist for the successful execution of an archives and records management project. This is a grant-funded, 30-month, full-time, temporary position in the Library Department of The Baltimore Museum of Art.
MINIMUM ACCEPTABLE QUALIFICATIONS
• Master of Library Science degree from an accredited institution
• Demonstrated experience with standard archival principles and practices
• Concentration in archives
• Coursework in records management
• Certification from the Academy for Certified Archivists
• Experience in processing archival collections
• Experience in records management
• Knowledge of art history
• Ability to plan, prioritize work, and meet deadlines
• Ability to work independently
• Ability to work well within a small team and with volunteers
• Strong attention to detail
• Strong analytical and problem-solving skills
• Strong written communication skills
• Competency with Microsoft Office software
• General fitness for lifting archive boxes up to 30 pounds and moving loaded carts
1. Survey, appraise, and accession the records of Museum departments, identifying preservation issues and needs, researching and developing records retention schedules, create a records management manual for the Museum, and conduct workshops to introduce the Museum community to the new records management policies and procedures contained in the manual.
2. Following national standards and best practices for archival descriptions, process and arrange manuscript and archival holdings, work with Archivists’ Toolkit to generate encoded finding aids, and prepare MARC records.
3. Remain competent and current through self-directed professional reading, developing professional contacts with colleagues, and attending professional development courses and attending training.
Please send a cover letter and resume via e-mail to HR@artbma.org. Please reference the position “Project Archivist” in the subject line of your e-mail.
No Phone Calls Please.
From Records to Data: Seeing and Sharing Digital Cultural Heritage Collections Differently with Recollection
Brooklyn Public Library
Trevor Owens, Digital Archivist with the National Digital Information Infrastructure and Preservation Program (NDIIPP) at the Library of Congress, will give a lecture titled “From Records to Data: Seeing and Sharing Digital Cultural Heritage Collections Differently with Recollection” at Brooklyn Public Library’s Dr. S. Stevan Dweck Center for Contemporary Culture on Thursday, May 19th from 3-4:30pm.
Owens will introduce and demonstrate the utility of Recollection, a free open source platform for generating and customizing views (interactive maps, timelines, facets, tag clouds) that allow scholars, librarians and curators to explore digital collections in novel and intuitive ways. This demonstration will show how content stewards can ingest collections from spreadsheets, sets of MODS records, or RSS and Atom feeds and then generate a range of interactive visualizations, including charts and maps, as well as sophisticated faceted browser interfaces for users of their digital collections.
We especially invite students and professionals interested in cultural heritage, digital curation and preservation, information visualization and other similar fields to attend.
Brooklyn Public Library
10 Grand Army Plaza
Skills, Knowledge and Abilities:
Education and Experience: