Job posting: University Archivist, University of North Carolina School of the Arts, Winston-Salem, NC

Posting Details
Position Information
Working Title University Archivist
Position Type EHRA Tier II
Position Number 060112
Full/Part Time Full-time
School/Department Information
The Library and Learning Commons provides materials and services which support the University of North Carolina School of the Arts’ education, artistic, and performance objectives, and which serve the intellectual, informational, and cultural needs of the students, faculty, and staff of the school, as well as other members of the local community. As a unit of the Library, the Archives exists as the institutional memory of the University of North Carolina School of the Arts, documenting the school’s history from its extraordinary beginning to its present day standing as one of the world’s premiere arts schools.

Work Schedule and hours
Description of Responsibilities and Duties
The Library and Learning Commons provides materials and services which support the University of North Carolina School of the Arts’ education, artistic, and performance objectives, and which serve the intellectual, informational, and cultural needs of the students, faculty, and staff of the school, as well as other members of the local community. As a unit of the Library, the Archives exists as the institutional memory of the University of North Carolina School of the Arts, documenting the school’s history from its extraordinary beginning to its present day standing as one of the world’s premiere arts schools.

The University Archivist:
– Oversees cataloging, discovery, preservation, and promotion of the collection that documents the student, faculty, and institutional experience of the University using best practices and professional standards.

– Manages relationships with campus shareholders for the continual intake of institutional records and archival materials, both electronic and physical and in a range of types and formats. Administers University Records in compliance with the NC Public Records Act, and as liaison with the State Records Management Office.

– Supervises one part-time employee and Archives volunteers.

– Conducts continued outreach to campus shareholders, including faculty, staff, students, alumni, and donors, to nourish creative teaching and learning on campus and to promote knowledge and understanding of the origins and development of the programs and goals of the University of North Carolina School of the Arts. Is an active part of the archives life cycle at UNCSA by promoting campus documentation of performance and the creative process.

– Integrates archival collections with course curricula by working closely with faculty, providing instructional sessions around primary sources, and exposing library users to UNCSA history through exhibitions, displays, social media, and other forms of outreach.

– Creates digital access points to all collections through current cataloging and description standards; articulates, manages, and trains staff on cataloging workflows.

– Supports researchers at UNCSA and external to the institution with an ability to adapt to new research paradigms in the arts and humanities.

– Serves on campus-wide committees as needed and remains professionally active to stay current with trends and changes in the profession.

– Coordinates with the University Librarian and the Office of Advancement on fundraising and grant writing efforts.

Minimum Qualifications
Master’s degree in Library/Information Science/Archives & Records Management from an ALA-accredited institution with 2 years of professional experience as a librarian or archivist.

Preferred Qualifications
– Arts and/or humanities background

– Demonstrated experience working with diverse collections and shareholders

– Experience with curation and/or collection development

– Proven ability and enthusiasm for bringing innovation and creative thinking to the workplace

Terms of Employment E2
Knowledge, Skills and Abilities
– Command of archival theory and best practices, both for physical and electronic collections.

– A strong knowledge of digitization and cataloging workflows as well as the born-digital archival lifecycle. Experience with archival content management systems as well as digital file formats, electronic records management, and digital persistence practice and theory.

– Ensures long-term retention of physical materials (non-electronic) with knowledge of preservation practice and storage.

– Knowledge of current copyright and privacy laws, donor restrictions, and permissions related to public access of paper and born digital records.

– Ability to supervise as well as work independently on projects. Ability to collaborate with the Library team and campus shareholders, as well as to identify and develop new partnerships that enhance the reputation and use of the UNCSA Archives.

Special Conditions for Eligibility
Posting Detail Information
Posting Number AS171P
Open Date 06/01/2018
Close Date
Open Until Filled Yes
Salary Range
Recruitment Range, if applicable
Special Instructions to Applicants
This is an EHRA position.

PLEASE NOTE: A criminal background check will be conducted on candidate finalist prior to the offer of employment.

Resumes WILL NOT be accepted in lieu of completing an electronic application. The application must be competed in full detail (including work history) for your qualifications to be considered.

Failure to complete the application process as required by state regulations WILL result in your application being rejected for the vacancy and you will not be considered for the position.

Other materials may be requested at a later time.

Applications will be treated confidentially until the final stages of the search process. Salary will be commensurate with experience.

Original job posting

A Success Story: An Interview with Kate Lambaria, Visiting Music & Performing Arts Librarian at the University of Illinois

In this Success Story, Kate describes her experience in the field of music and performing arts librarianship, wherein she has evolved from music researcher to graduate library assistant to branch librarian supporting the School of Music and the Departments of Dance and Theatre at the University of Illinois at Urbana-Champaign.

Can you tell us a little bit about your background, your current position, and how you got into the field of librarianship?

I have an undergraduate degree in music, with a concentration in ethnomusicology. I didn’t grow up using libraries and when I started college and was introduced to them, they were this mysterious space that I didn’t understand how to navigate. I learned eventually because having an ethnomusicology focus meant that I did a lot more research than some of my peers in the music program. After finishing my undergraduate degree, I spent some time stringing together multiple part-time jobs teaching marching bands and private lessons and working in retail. My patience for this didn’t last very long and that’s when I started to think about a career that would fit with what I knew I enjoyed: music, teaching (but not full-time), the research process, and working with people. Eventually, I realized that librarianship had the potential to offer all of those things, so I applied for and was accepted to the MSLIS program at the University of Illinois at Urbana-Champaign. I worked as a graduate assistant in two of the libraries on campus, including the Music & Performing Arts Library where I now work, and that experience really cemented my interest in academic music librarianship.

I’m currently the Visiting Music & Performing Arts Librarian at Illinois and I work in a branch library that is one of many on campus. My library supports the School of Music and the Departments of Dance and Theatre. We’re located in the Music Building and the School of Music is the largest of the three departments, so I get to put my background in music to use on a regular basis.

What is your favorite aspect of your job? What is unique or special about your role as a performing arts librarian?

I enjoy going into classrooms for instruction sessions and then seeing the same students later in the library, either using our resources or asking for help at our desk. I’ve heard some students mention how they don’t need to do research as performers, so it’s pretty rewarding to see them realize the benefit of research on their performance, in addition to the many other ways the library can support them as performers. I also try to make it to some student performances every year and it’s really neat to see students I’ve worked with performing on stage. I guess the students are really my favorite aspect of my job!

One of the ways that performing arts librarianship is unique is the collections and the many formats that are needed. For example, if I buy a book about a specific piece of music, that leads to many questions…. do we have a score for that piece in our collection? What kind of score is it (score and parts for each instrument, just the score, a vocal score)? Who published the score? Do we have a recording (audio or video)? Who was the conductor/ensemble/soloist/choreographer… the list goes on. This impacts public services as well as collection development. There’s a lot to take into consideration when helping performing arts patrons find the information they’re seeking, and it does help to have a background in the performing arts.

What does a typical day at work look like for you?

Like many librarians, each day is different for me, but it usually consists of some combination of the following: collection development, reference and research support (I staff our reference desk 4 hours a week and each shift at the desk is always a surprise), instruction (both in class and through developing online materials), supervising our graduate assistants, and participating in programming and outreach. Right now, we’re moving to a new system for room and loanable technology reservations so I’m spending a lot of time working on that documentation for our library, developing staff training, and adjusting our policies accordingly. I’m also lucky to be at an institution that supports librarians conducting research, so depending on the day, I might be coding interviews or working on a literature review for a new project. Oh, and meetings, there’s always meetings.

Do you have any words of wisdom for students who are interested in the arts and may be considering a career in performing arts librarianship?

I don’t think I’m qualified to be dealing out words of wisdom yet, but I think it’s important to remind current LIS students that you’re probably never going to feel ready going into your first position, you just have to be prepared for that and willing to learn. My first position was as a liaison librarian to the architecture, art, dance, film, music, and theatre departments and while I felt comfortable with some of those subject areas, I knew nothing about architecture and art. So, I joined ARLIS, started reading the literature in the art librarianship field, and tried to build a network of peers. While I only work with the performing arts now, I still keep up with what’s happening in art librarianship. It can be easy to stay in your own specialized world, but there’s a lot to learn from librarians working in other subject areas. There are also many types of careers in performing arts librarianship, but I only have experience in an academic setting.

What were/are some challenges for you as a librarian?

Being early career, I have a tendency to say yes to every opportunity that comes my way. There’s a lot about librarianship that interests me, but this can also make it challenging to focus and prioritize my time. Sure, saying yes to opportunities allows me to explore new things and determine if it’s an interest worth pursuing further, but saying yes to everything is completely unrealistic, so now I’m working on learning to say no. Or, at the very least, to take more time considering how new commitments will fit into my schedule and existing long-term projects before saying yes.

Job posting: Library Information Specialist IV (Fine Arts Night Supervisor) – Baylor University, Waco, TX

Job Title Library Information Specialist IV (Part Time Nights)
Position Type Technical/Paraprofessional
City Waco
State TX
Zip 76798
Purpose
The purpose of this position is to serve as the Fine Arts Night Supervisor. This position provides reference and research services, supervising night student staff, assisting with circulation, reserves, and collection processing during evening and late night hours up to 1am.

Job Duties
Required Education Bachelor’s
Field of Study
Required Experience Less than 1 year of relevant work
Other Required Qualifications
-Strong user-service commitment
-Excellent organizational skills
-Attentive to detail and accuracy
-Effective written and oral communication skills -Strong interpersonal skills
-Demonstrated ability to work both independently and in a team setting
-Proficient with personal computing and a variety of technologies
-All employees are expected to fully support Baylor’s mission to educate men and women for worldwide leadership and service by integrating academic excellence and Christian commitment within a caring community.

Preferred Education Bachelor’s
Preferred Field of Study
Preferred Experience 2 years of relevant work
Other Preferred Qualifications
-Ability to read music beyond an elementary level
-Creative
-Flexible
-Forward-thinking
-Self-initiated
-Prior supervisory experience

Part time/Full time Part Time
Avg Hours per Week 25
Work Hours Sunday – Thursday 8:00 PM- 1:00 AM
Physical Demands
See Job Description

About Baylor
Working at Baylor is so much more than simply having a job! As part of the Baylor family, employees not only receive a comprehensive benefits package that includes medical and dental insurance, generous time off, and fantastic automatic retirement contributions, they also get to experience Baylor.

-Experience the culture of working for an institution consistently ranked as a “Great College to Work For” by The Chronicle of Higher Education
-Experience a mission driven organization based on a strong Christian commitment (www.baylor.edu/about)
-Experience Baylor academics with outstanding tuition remission for eligible staff and qualified dependents
-Experience our beautiful campus with access to libraries, museums, and recreational facilities such as our fitness center, athletic courts, an indoor swimming pool, and the Baylor marina to name a few
-Experience our great dining facilities and enjoy an employee discount
-Experience Baylor athletics with reduced admission or free access to athletic events
-Experience Baylor through many more wonderful events and programs that take place on campus each year
-Conveniently located in Waco, Texas, Baylor University is approximately 90 miles from both the Dallas-Fort Worth and Austin areas. To learn more about life in Waco, visit http://wacochamber.com/community/about-waco.

EEO Statement
Baylor University is a private not-for-profit university affiliated with the Baptist General Convention of Texas. As an Affirmative Action/Equal Opportunity employer, Baylor is committed to compliance with all applicable anti-discrimination laws, including those regarding age, race, color, sex, national origin, marital status, pregnancy status, military service, genetic information, and disability. As a religious educational institution, Baylor is lawfully permitted to consider an applicant’s religion among its selection criteria. Baylor encourages women, minorities, veterans and individuals with disabilities to apply.

Pay Rate Commensurate with education and experience

Link to original job posting

Job Posting: Metadata and Cataloging Librarian for Special Formats – The University of Texas at Austin

Professional Librarian – Metadata and Cataloging Librarian for Special Formats
Hiring department Humanities Rsch Ctr
Monthly salary $3,750
Hours per week 40.00 Variable
Posting number 18-05-18-01-0080
Job Status Open
FLSA status Exempt
Earliest Start Date Immediately
Position Duration Funding expected to continue
Position open to all applicants
Location Austin (main campus)
Number of vacancies 1
General Notes
None provided

Required Application Materials
A Resume is required in order to apply
A Letter of Interest is required in order to apply.
A List of 3 References is required in order to apply.
Additional Information
Purpose
To enhance access and discovery for a variety of Ransom Center collections, while contributing to cross-departmental metadata initiatives and shaping new cataloging approaches compatible with current and emerging initiatives.

Essential Functions
Performs original and complex copy cataloging in MARC according to established national guidelines and standards appropriate for printed, published, and visual materials,including but not limited to pre-1821 monographs, maps,playbills, ephemera, photo albums and portfolios, musical scores, and selected works of art. Maintains workflows and communication within the unit on issues requiring expertise and guidance in rare books and special formats cataloging. Collaborates with other Description and Access units and with UT Libraries in support of cross-departmental metadata transformation and catalog management and maintenance activities; contributes name authority records to PCC NACO. Trains Federal Work Study students and interns to advance the initiatives of the department and provides quality assurance to ensure integrity of the unit output.

Marginal/Incidental functions
Liaises with curators and other staff to acquire and track printed and published media; participates in weekly and occasional weekend public service or reference work; may participate in Center and campus committees and initiatives.

Required qualifications
Master’s degree in library and information science from an ALA-accredited program, or international equivalent; Experience cataloging library materials, preferably rare books and special formats; Evidence of knowledge of MARC and non-MARC bibliographic exchange formats, metadata content standards, controlled vocabularies; Evidence of knowledge of the role and function of authority control; Demonstrated ability to manage time effectively, balance multiple responsibilities, and adjust accordingly to changing priorities, needs, and deadlines; High level of initiative, self-motivation and self-development skills; Excellent oral and written communication and interpersonal skills, to effectively work with internal and external audiences in fostering an atmosphere of positive participation and communication. Equivalent combination of relevant education and experience may be substituted as appropriate.

Preferred Qualifications
At least 2 years of experience post-MLIS managing workflows on a library setting and coordinating cataloging projects; Experience creating authority records, and contributing to PCC NACO; Experience cataloging serials or non-printed and published formats; Experience working with metadata transformation and mapping; Supervisory or training experience; Demonstrated awareness of new and emerging bibliographic standards and technologies, and a commitment to their effective application; Knowledge of rare material handling and preservation; Reading knowledge in one or more languages other than English; A record of professional engagement and service or willingness to develop one; Demonstrated commitment to diversity and inclusion.

Working conditions
May work around standard office conditions Repetitive use of a keyboard at a workstation Use of manual dexterity Climbing of stairs Lifting and moving

Original job posting

Job Posting: Digital Archivist, Academy of Motion Picture Arts & Sciences, Hollywood, CA

TITLE
Digital Archivist
DESCRIPTION
Job Summary:

Reporting to the Director of Digital Management Services (DMS), the Digital Archivist works cross-departmentally with Academy curators, preservationists and archivists to manage efforts to preserve, describe and make accessible digitized and born-digital archival materials.

Duties and Responsibilities:

Act as liaison to curatorial staff and internal content producers to manage the selection, description, preservation, and archiving of digital assets
Perform content audits and verify fixity of born digital collections
Manage preservation ingests and monitor file-based workflows for proxy creation; identify preservation issues and report problems to AMPAS staff and system vendors
Train and onboard new users
Field helpdesk tickets and system error reports using JIRA ticketing system; provide ongoing user support
Participate in interdepartmental working groups to define data governance and workflows
Assist DMS Manager with documentation of workflows, policies and processes
Assist DMS Manager and Information Technology staff with data migration, quality control and testing of systems

POSITION REQUIREMENTS
Advanced degree in archive studies or library information science required
Minimum 2+ years hands-on experience with archive/library/museum collections and digital asset management solutions (previous experience with Adlib collections management software and Open Text Media Management is a plus)
In-depth understanding of digital formats and concepts related to digital use, migration and reformatting with particular emphasis on media formats for audio and moving image file formats
Demonstrated knowledge of workflows for audiovisual production, digital restoration of film, video and audio
Demonstrated knowledge of principles of archival collection management and preservation required; knowledge of motion picture history and technology preferred
Extremely detail-oriented and experienced with standard computer word processing and spreadsheet software
Excellent verbal and written communication skills; ability to articulate complex technical concepts to non-technical staff; patience for training and support
Demonstrated ability to work in a team environment where consultation, flexibility, collaboration and cooperation are essential

FULL-TIME/PART-TIME Full-Time
EDUCATION
POSITION Digital Archivist
EXEMPT/NON-EXEMPT Non-Exempt
OPEN DATE 5/21/2018
LOCATION Hollywood
ABOUT THE ORGANIZATION The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.
EOE STATEMENT The Academy is committed to equal opportunity in employment and to creating, managing and valuing diversity in its workforce. Maintaining a diverse workforce is vital to the Academy. Accordingly, the Academy enforces a strict policy that prohibits discrimination in hiring, training, compensation, promotion, transfer, or termination, whether on the basis of race, color, national origin, religion, sex, disability, age, veteran status, sexual orientation or genetic information. This includes a workplace that is free of all forms of harassment. And, to help foster diversity, the Academy utilizes programs that ensure fairness of opportunity, pay, and growth to all applicants and employees. Every employee of the Academy is required to follow this policy and to preserve the Academy’s commitment to diversity.

Original job posting

A Success Story: An Interview with Chantal Sulkow, Acquisitions Librarian at the Bard Graduate Center

Chantal’s New York City-centered journey took her from a BFA program in Illustration to a career in commercial art before deciding to become an art librarian. In this Success Story, Chantal tells us a little bit about what drove her to become a librarian and what she loves most about the profession.

Can you tell us a little bit about your background, your current position, and how you got into the field of (art) librarianship?
Before I became an art librarian, I earned my BFA in Illustration at The School of Visual Arts in New York City, concentrating on oil painting and portraiture. While at SVA, I participated in the copyist program at the Metropolitan Museum of Art and copied old master works on-site in the galleries. The teacher I worked with made me research each painting I worked on; I had to find historical information about the materials and methods the painters used, and this process gave me my first experience with art historical research. After art school I was looking for a way to earn a living with my skills and I transitioned to a commercial art form, painting three-dimensional prototype figures for the toy industry. I started as an apprentice but eventually turned it into a business, and for a number of years I had my own studio. I painted models for toys in development, and my clients included Marvel, Fisher-Price and Hasbro. When technology in 3D printing and outsourcing to China began to change the landscape of the industry, I decided to go to graduate school. I started by looking at programs for art history, but I wanted to set myself on a path to a new career sooner than later. I was considering Pratt, and by chance I learned about their Library Science program. In my first year I took an intensive summer course on Museums and Library Research with Ken Soehner, the director of the Watson Library at the Metropolitan Museum. After spending all day, every day for 2 weeks at the Met Library, I was certain that I wanted to be an art librarian.

What does a typical day at work look like for you?

As Acquisitions Librarian at the Bard Graduate Center, I am in charge of purchasing for the library; I handle book requests from faculty and students and serve on our staff Collection Development Committee. I’m always looking for new materials to add to the collection; to keep on top of new publications I look at catalogs and email lists, and I follow the social media accounts of museums, academic institutions and publishers so I can track what exhibition or scholarly materials are coming up. In addition to acquisitions, I also do a good deal of reference; our staff shares reference desk responsibilities, and I work with our Reader Services Librarian to meet with students for research appointments, as well as to give research workshops, handle some of the ILL responsibilities, and, when necessary, accommodate requests from outside researchers. I also oversee our library’s rare materials collection.

Do you have any advice for current students and/or those on the job market?

Get involved with ARLIS! My involvement with this organization has been so valuable and rewarding. Join your local Chapter! If you can, go to local Chapter events or meetings- volunteer for a position on your Chapter board. Join an ARLIS/NA committee, or serve on an award committee. Go to the annual conferences; apply for scholarship money to get yourself there, and even if you don’t get funding, it’s worth paying for it yourself if you can make it happen, though of course that’s not always possible. Doing these things will help you network and meet people, and the work you do as a volunteer will help showcase your professional skills to others in the community who might hire you. More directly, reach out to other professionals for advice and mentorship. In my first semester in library school I told one of my professors that I was thinking of pursuing art librarianship and she gave me the names and contact info for two of her colleagues who were art librarians. When I followed up and reached out they both invited me to come in to chat. The early help and encouragement that they gave me was invaluable.


What accomplishments in the field of art librarianship are you most proud of?

Before I was hired to a full time position, I was appointed as ARLIS/NA’s New York Chapter Social Media Coordinator. I run the Chapter’s social accounts, which include Facebook, Instagram and Twitter. This is a board position I’ve held for nearly 2 ½ years, and it’s been great fun- I launched the chapter’s Instagram account, and I’ve been able to boost our followers and overall engagement across the board. Running the Chapter’s social platforms has enabled me to establish connections with and gain deeper knowledge of other cultural institutions, while promoting awareness of the value that art libraries have to offer. My work as the NY Chapter Social Media Coordinator also led me to run a survey on the use of social media in art libraries, and I organized and participated in a session on the topic at the most recent ARLIS conference. I am currently working with some of my session teammates on an article for Art Documentation based on our presentation, and I’m excited about where further research and exploration on this project will lead.

If you could go back and time and do part of your career or education over again, is there something you would have changed? A class you would have taken? A project you would have started?

If I had a do-over for any part of my professional life, I would have gone to graduate school years earlier, before I had kids. This is not to say you can’t get your degree while being a parent! It is absolutely 100 % doable, but presents challenges one wouldn’t otherwise have. When I began graduate school my daughter was starting kindergarten, and midway through the program I took a semester off when my son was born. (He was a perfect academic baby- born in between semesters!) Of course, finishing graduate school with 2 kids was no easy task, especially with a sleepless infant! I started the program at Pratt as a dual Library Science and Art History major; however, after my son arrived I decided to drop the Art History component and concentrate on the MLS, in an attempt to fast-track getting a degree, and getting a full time job- which, fortunately, I was able to do. When my kids are a little older I would still like to return to school and finish my subject Masters; in an ideal world, I’d like to get a PhD! You never know what might happen.

Job Posting: Digital Asset Manager (IT Specialist), Archives of American Art, Smithsonian

Overview
Open & closing dates
04/27/2018 to 05/18/2018

Salary
$68,036 to $88,450 per year

Pay scale & grade
GS 11

Work schedule
Full-Time – Full-Time, Permanent

Appointment type
Permanent – Federal

Location
1 vacancy in the following location:

Washington DC, DC
Relocation expenses reimbursed
No

Duties
Summary
This position is located in the Digital Operations Section, Archives of American Art, Smithsonian Institution, Washington, D.C. The Archives’ mission is to collect, preserve, and make available for study primary source documentation on the visual arts in the United States, currently consisting of nearly 5,000 manuscript collections and 2,000 oral history interviews.

Responsibilities
Manage the Archives’ born-digital collection formats in support of long-term preservation and access, including providing support for accessioning, arrangement, description, access and preservation of still images, textual, audiovisual, web archives, data sets and email digital assets.
Manage digital assets created by digital reformatting of analog collections in an archival repository through preparation/maintenance of existing internal policies and procedures, oversight of workflows for large-scale and item level, and oversight of equipment, hardware/software and ingest/export of data into digital collections information systems to ensure long-term accessibility.
Provide technical support for the maintenance, development and integration of Archives’ and Smithsonian digital asset management systems, resources, and data elements.
Serve as the Archives’ primary contact for digital asset issues, reporting and technologies.
Travel Required
Not required

Supervisory status
No

Promotion Potential
11

Requirements
Conditions of Employment
Pass Pre-employment Background Investigation
May need to complete a Probationary Period
Maintain a Bank Account for Direct Deposit/Electronic Transfer
Males born after 12/31/59 must be registered with Selective Service.
Qualification requirements must be met within 30 days of the job announcement closing date.

For information on qualification requirements, see Qualification Standards Handbook for General Schedule Positions viewable on the web at http://www.opm.gov/qualifications.

Qualifications
Experience: You qualify for this position if you possess one year of specialized experience equivalent to at least the GS-9 level in the Federal Service or comparable pay band system. For this position Specialized experience is defined as providing digital asset management for the life cycle of digital surrogates created through reformatting of analog collections and of born digital collections in an archives, library, or museum.

All applicants must have IT-related experience demonstrating each of the four competencies listed below.

1. Attention to Detail
2. Customer Service
3. Oral Communication
4. Problem Solving

Experience refers to paid and unpaid experience, including volunteer work done through National Service programs (e.g., Peace Corps, AmeriCorps) and other organizations (e.g., professional; philanthropic; religious; spiritual; community, student, social). Volunteer work helps build critical competencies, knowledge, and skills and can provide valuable training and experience that translates directly to paid employment. You will receive credit for all qualifying experience, including volunteer experience.

Part-time and/or unpaid experience related to this position will be considered to determine the total number of years and months of experience. Be sure to note the number of paid or unpaid hours worked each week.

Or Education: Three full years of progressively higher level graduate education leading to a Ph.D. or equivalent doctoral degree related to the position may be substituted to meet the experience requirements.

Graduate Education: Degree in computer science, engineering, information science, information systems management, mathematics, operations research, statistics, or technology management or degree that provided a minimum of 24 semester hours in one or more of the fields identified above and required the development or adaptation of applications, systems or networks.

For a full explanation of this option please see the Qualification Standards.

Special Instructions for Foreign Education: If you are qualifying by education and/or you have education completed in a foreign college/university described above, it is your responsibility to provide transcripts and proof of U.S. accreditation for foreign study. For instructions on where to fax these documents, see the “Required Documents” section of this announcement.

Original job posting: https://www.usajobs.gov/GetJob/ViewDetails/497984000

Collection Strategy Librarian, Art & Art History and Design Emphasis, San Jose State University (Reposted)

Location
San Jose, CA
Open Date
Feb 16, 2018

Description
Subject to Budgetary Approval
University Library

Specialization: Collection Strategy Librarian, Art & Art History and Design Emphasis

Job Opening ID (JOID): 24466

Rank: Senior Assistant Librarian (Tenure-track)

The Dr. Martin Luther King, Jr. Library seeks an innovative and creative librarian to provide leadership in the area of collection strategy. Under the direction of the Director of Academic Services, the Collection Strategy Librarian will collaborate with faculty, library staff, and students to provide guidance in the development, management, delivery, assessment, and planning of the library’s digital and print collections. As a faculty member, the candidate participates in the library liaison program and engages in library and university governance and scholarship, which includes research, scholarly, and creative activities required for tenure and promotion. The Collection Strategy Librarian will serve as the liaison to the Departments of Art & Art History and Design.

Responsibilities:

Under the direction of the Director of Academic Services, leads collection development activities including assessment, selection, and deselection of print, non-print, electronic resources, and gifts in all subject areas.
As part of the Academic Services team, develops the collection management, preservation, and deselection strategy.
Coordinates collection development and selection activities of liaison librarians.
Work with relevant stakeholders in developing collection development policies, evaluating print and electronic material purchases, and providing disciplinary collection assessment and statistical analysis and reports.
Establishes and maintains a strong collaborative relationship with all library units that build and maintain digital and physical collections.
Represents and participates in cooperative collection development programs with other libraries and library consortia.
Develops and maintains an awareness of the trends and issues affecting collection management and development.
Builds a record of progressive scholarly and professional achievement to fulfill the University requirement of retention, tenure and promotion.
Participates in the library liaison program, providing services to the departments of Art & Art History and Design.
Candidate must address the needs of a student population of great diversity – in age, cultural background, ethnicity, primary language and academic preparation

Required Qualifications:

Minimum 2 years of experience in selecting library materials
Experience serving as a liaison to academic programs/departments
Master’s degree from an ALA accredited program or equivalent is required at time of appointment.
Knowledge of planning, designing, and implementing innovative practices or tools to improve collection development and maintenance.
Experience with collection analysis and assessment of print and electronic resources.
Familiarity with a collections budget and collection-related projects.
Excellent analytical, interpersonal, time management, organizational and problem-solving skills.
Applicants should demonstrate awareness of and sensitivity to educational goals of a multicultural population as might have been gained in cross-cultural study, training, teaching and other comparable experience

Preferred Qualifications:

Demonstrated ability to apply metrics and other evaluation criteria to support data-driven collection development decisions.
Demonstrated ability to work collaboratively on collection building and management in a rapidly changing information environment.
Experience or coursework with library resources relevant to the research, teaching, and learning of art, art history, or design.
Undergraduate or graduate degree or equivalent training/work experience in art, art history, or design.
Proficiency with an ILS system and analytics.
Proficiency with Excel or other spreadsheet/reporting platforms.

Salary Range: Commensurate with qualifications and experience.

Starting Date: Summer 2018.

Eligibility: Employment is contingent upon proof of eligibility to work in the United States.

Please include Job Opening ID (JOID) on all correspondence.

Application Instructions
Application Procedures: For full consideration, submit: (1) a letter of interest; (2) curriculum vitae; (3) statement of teaching interests/philosophy; (4) research plan; and (5) names of three professional references with contact information by April 6, 2018 via apply.interfolio.com/49032. This position will remain open until filled.

Important: This item will be required of finalists at the time of on-campus visit: (1) Original, sealed, graduate school transcripts. Mailing address: SJSU, King Library; Attention: Evelia Sanchez; One Washington Square, San Jose, CA 95192-0028.

Tracy Elliott, Dean, University Library, invites you to contact us with your questions at (408) 808-2080 or via email at library-jobs@sjsu.edu. Please visit our websites at http://www.sjsu.edu and library.sjsu.edu. For information on faculty retention, tenure and promotion, see the SJSU Academic Senate policies S15-7 & S15-8 at http://www.sjsu.edu/senate/policies/pol_chron/

The Dr. Martin Luther King, Jr. Library at San José State University is recognized as an innovative shared facility combining a large academic library (with a collection of over one million items) and a major downtown public library. This facility uses a merged service model to support the lifelong learning needs of academic and public library users. The University Library’s strategic plan is to build a digital library which will “aggressively increase access, creation, and use of digital collections,” and “will creatively utilize innovative technologies to provide the University and the broader community with a 21st century library environment, both physical and digital.”

San José State University is California’s oldest public institution of higher learning. The campus is located on the southern end of San Francisco Bay in downtown San José (Pop. 1,000,000), hub of the world-famous Silicon Valley high-technology research and development center. Many of California’s most popular national, recreational, and cultural attractions are nearby. A member of the 23-campus California State University (CSU) system, San José State University enrolls approximately 35,000 students, a significant percentage of whom are members of ethno-cultural minority groups. The Library – and the University of which it is a part – is committed to increasing the diversity of its faculty so our community can benefit from multiple perspectives.

 

Original posting: https://apply.interfolio.com/49032

Media Preservation Librarian, Michigan State University Libraries

Description
Reporting to the Head of Conservation and Preservation and working with staff in the Digital and Multimedia Center, G. Robert Vincent Voice Library, Special Collections and the Wallace Conservation Laboratory, as well as other library units and partners at other institutions, the Media Preservation Librarian will:

  • Plan, develop and provide leadership for a media preservation program for Library digital and analog collections, including the Vincent Voice Library, Rovi Media Collection and other special collections, by reviewing existing library practices and analyzing needs and establishing policies and best practices that promote long-term stewardship and access to audio visual and moving image materials.
  • Identify and work with vendors and complete RFPs for media conversion services; manage the inventory, shipping and quality control process.
  • Review and advise on media acquisitions and collaborate on conservation and survey efforts.
  • Identify and collaborate with technical and accessibility partners within the library, campus and consortial communities.
  • Provide support for the Libraries’ overall preservation program by assisting with environmental monitoring, the integrated pest management program, and the Libraries’ Disaster Response Committee and other preservation activities.

The successful candidate must be broadly focused and adventurous enough to expand or shift their range of responsibilities to meet evolving campus needs, as well as participate approximately quarter-time in a secondary assignment based on the needs of the library and candidate interests and qualifications. Potential secondary assignments could, for example, include work with special collections, metadata services or collection development.

Librarians are appointed as regular faculty in a continuing appointment system and are engaged in professional development and scholarly activities related to their position. Additionally, librarians serve on library and university committees as elected or assigned.

Michigan State University Libraries serve more than 4,900 faculty, 36,000 undergraduates and 11,000 graduate and professional students on a park-like campus of over 5,000 acres. The MSU Libraries have combined holdings of over 6 million volumes with renowned collections in music, film, agriculture, Africana and comic art and cutting-edge services including a makerspace and digital scholarship lab. The Libraries are home to both the Rovi Media Collection, one of the largest publicly accessible media collections in the world, and the G. Robert Vincent Voice Library, a collection of over 40,000 hours of spoken word recordings dating back to 1888. East Lansing is a vibrant community of 50,000 located adjacent to Lansing, the State capital.


RequirementsMinimum Qualifications

Master’s degree in information or library science from a program accredited by the American Library Association. Knowledge of or experience with media and library preservation. Excellent oral and written communication skills; outstanding interpersonal communication skills including the ability to be flexible in a dynamic and changing environment; exceptional commitment to customer service; ability to work enthusiastically and effectively with diverse faculty, students and staff; ability to work collaboratively and independently; ability to prioritize and balance various unit needs; attention to detail; preparation and commitment to engage in scholarly activity consistent with a library faculty appointment; capacity and commitment to engage independently in continuing professional development.

Desired Qualifications

Familiarity with production, archiving or preserving complex digital objects; knowledge of current library preservation best practices for books, paper and photographic collections; knowledge of best practice for cleaning repair, migrating or rehousing audio visual and moving image materials; knowledge of disaster recovery techniques for media; broad understanding of current trends and tools for sustainability, integrity, authenticity and risk assessment; knowledge of standards-based metadata schema such as MODS, METS and PREMIS. File migration and media conversion practice; use of programming languages such as Python; understanding of the grant-writing process, knowledge of accessibility as it relates to media and media preservation.

Original posting: http://careers.msu.edu/cw/en-us/job/498817/librarian-icontinuing

The Dual-Degree Art Librarian: Survey and Guide for Career Planning (by Autumn Wetli & Sarah Bilotta)

Whether or not a second Master’s, or perhaps even a PhD, is needed for the subject specialist librarian is an area of debate. We have decided to think about this conversation specifically in the terms of Art Librarianship. Gathered are some pros and cons to getting the advanced degree in art/art history, formulated from the thoughts of fellow ArLiSNAP followers and some scholarly articles on the subject.

For the purposes of informally ascertaining a consensus among early career art librarians or those interested in the field, we conducted some preliminary research with scholarly materials that address the educational requirements for professional art librarian jobs, as well as the opinions of more established art librarians. We then used this research as inspiration to formulate methods for engaging the perspectives of new and emerging art librarians. This culminated in circulating an open-ended question to evoke the thoughts and opinions of our colleagues, both via e-mail with librarians we have worked with and through the e-mail listserv of ArLiSNAP. In order to achieve varied and unrestricted opinions, we solicited feedback on the basis that we were curious to hear about colleagues’ experiences in the field in relation to this topic in a broad sense. All respondents were informed that this information would be used for an ArLiSNAP blog post (with the option to remain anonymous). For this survey and the resultant blog article, “subject Master’s degree” and “second Master’s degree” are intended to refer to a Master’s degree in a subject other than librarianship, obtained before, after, or in conjunction with a librarianship Master’s degree, and meant to bolster the scholarly research capabilities of a librarian in the field of the arts and design.

From the results of this survey, we have drawn conclusions not necessarily about the overarching value (or lack thereof) of the subject Master’s degree to the field of art librarianship, but about individual librarians’ experiences with or without a subject Master’s degree and patterns among this small sample of librarians, which may be indicative of trends warranting either further study or consideration for librarians who are considering a second Master’s degree.

From the nine responses we received from our call out for opinions, four individuals have a Master’s degree in a subject other than librarianship and five do not. Of the five respondents who do not have a second Master’s degree, two have completed partial coursework towards a second Master’s degree and one is currently applying to dual degree programs.

Responses from our survey

PROS

Research Experience
“[Getting a second Master’s degree] is a rewarding experience…something that has come in very handy as an academic librarian.”
-Librarian with a second Master’s

“I think I would consider pursuing a second Master’s degree to not only further my understanding of the field, but also have a better grasp on the type of research [that] is done at the graduate level by participating in it myself.”
-Librarian with a Master’s degree in librarianship, but without a subject Master’s

“…the [Master’s degree in Art History] provided me with appropriate knowledge of arts and art history subject areas; resources, tools, and methodologies; and vocabulary to meet the requirements of the co-op role, and that experience has been invaluable for shaping my readiness to enter the workforce in art librarianship.”
-Librarian with a Master’s degree in Art History, currently working on MLIS

“[Getting a subject Master’s degree] is a rewarding experience and really helped me learn how to sculpt a scholarly research project, something that has come in very handy as an academic librarian.”
-Librarian with an arts-related subject Master’s degree, currently working on MLIS

Job Possibilities
“I have held two professional librarian positions since graduating from library school, and both asked for an Art History MA as a preferred requirement.”
-Librarian with MLIS and MA in Art History

“…feedback [from others in the art librarianship field] has consistently been a positive assertion that having the two degrees will help me have a competitive edge in the job search.”
-Librarian with a Master’s degree in Art History, currently working on MLIS

“My current job does not require the second masters, but other positions I might be interested in down the line do require it for promotion…”
-Librarian with MLIS and partial coursework towards MA in Art History

Enhanced Opportunities for Professional Development
“Though I have yet to determine if — or how — having a second, subject specific Master’s will help my career in art librarianship, I can say that it has had a strong influence in my professional development throughout the MLIS program.”
-Librarian with a Master’s degree in Art History, currently working on MLIS

“[Having a subject Master’s degree] has gone a long way to gaining acceptance and interest from members of professional organizations that cover the intersection of arts and librarianship.”
-Librarian with an arts-related subject Master’s degree, currently working on MLIS

Strengthened Relationships with Art Scholars

“…it’s always helpful for an academic librarian to have a second master’s degree or even PhD. It can go a long way in your ability to gain respect or trust from faculty and administration.”
-Librarian with MLIS, previously enrolled in MA program in Art History

“I definitely find it easier to be an art & design librarian without an extra Master’s than I think I might serving art history [faculty].”
-Librarian with MLIS but no subject Master’s degree

“Having an advanced degree helps when you are working with senior scholars, whether curators or university academics.”
-Librarian with MA in Art History and Master’s degree in Librarianship

CONS

Cost
“[Enrollment in Master’s degree program in Art History] was costing a fortune, and I knew my loan debt was already staggering.”
-Librarian with MLIS and partial coursework towards MA in Art History

“To me the biggest reason not to get a second master’s was the money. I wasn’t sure that the investment would be necessary or pay off sufficiently to warrant the debt.”
-Librarian with MLIS but no subject Master’s degree

“If I could go back and do it again, the only thing I would change is lowering the amount of student loans I took out…Luckily I qualify for the Public Service Loan Forgiveness program because I work for a university, but who knows what will happen with that program in the near future…”
-Librarian with MLIS and MA in Art History

A Degree is Only What You Make of It
“I do think it’s a challenge to find a good position in the field regardless of whether you pursue the second degree.”
-Librarian with MLIS but no subject Master’s degree

“I think the more you do and achieve, the higher your chances will be for potentially landing that ideal position you’ve got your sights set on…”
-Librarian currently applying to Master’s degree programs

“…having served on a few search committees now, I can say that it’s not necessarily the education that gets you the job, but rather the way you present yourself and articulate the ways in which you can/have applied that education to a practical position as a librarian.”
-Librarian with MLIS and MA in Art History

Not All Art Librarian Positions Require a Subject Master’s

“[A second Master’s degree] is not required for my current role where I lead the library’s instruction program and work with a variety of subject areas.”
-Librarian with MLIS, previously enrolled in MA program in Art History

“[In my current position] the second Master’s is less needed because I’m not being asked to help with graduate level research. So in general, I think it depends on your position and the level of research you are expected to help with.”
-Librarian with MLIS but no subject Master’s degree

Responses in the Literature
In addition to reaching out to our colleagues, we looked at a couple articles that performed studies on the MLIS and an advanced subject degree. This was not an exhaustive search into the literature on this topic, but rather, a very brief look into the results of a couple similar surveys. Much like the results of our own informal survey, the importance of a second advanced subject degree, really depends on the individual and should be evaluated on case-by-case scenarios.

Echoing responses we heard from ArLiSNAP followers, one of pros of an advanced-subject degree was found in its ability to make the librarian a better researcher than if they had just pursued the MLIS. This helps the librarian in two ways. First, it better prepares them for research and publication of their own, which can help with career advancement in regards to tenure and/or promotion (Mayer & Terrill, 2005, p. 68). Secondly, the librarian has first-hand research experience that many patrons, perhaps particularly graduate students and faculty, need (ibid.) One article made an interesting note, that from their research, the demand for second masters or advanced degrees was found to be most desirable for library administrators (Ferguson, 2016, p. 732).

Many School of Information programs offer dual degrees, which allow students to receive the a second, subject specialized Master, at less cost and time than pursuing the MA/MS solely on its own. Art History as a second Masters is commonly a part of these programs. A few programs that offer such are The University of North Carolina, Indiana University Bloomington, Pratt Institute, and Kent State University.

References

Ferguson, J. (2016). Additional degree required: advanced subject knowledge and academic librarianship. Libraries and the Academy, 16(4), 721-736. Retrieved from https://muse.jhu.edu/article/632342

Mayer, J. & Terrill, L. J. (2005). Academic librarians’ attitudes about advanced-subject degrees. College & Research Libraries, 66(1), 59-70. https://doi.org/10.5860/crl.66.1.59