This past Fall, I took a course in my MLIS program (Wayne State University) called Digital Curation and Preservation. As the title states, this course focused on the curation lifecycle and preservation processes for born-digital materials. Some of the work we did was directly related to libraries, but I also ended up learning techniques and practices for best preserving my own digital files (e.g. digital photos). The final project for this class had each student creating an annotated bibliography on a topic related to digital preservation, either solo or with a group. I chose to focus on digital art preservation and more specifically on articles that discussed documentation practices related to digital art preservation.
I wanted to share my annotated bibliography for anyone who may be interested in doing some reading on digital art preservation. It got me thinking about best practices for creating metadata and documentation that would best assist with the recreation of digital artworks in the future, past their own technological obsolescence. I was also interested in thinking about the contention that can exist between an artist and an institution (e.g. museum) in regards to preservation. Some artworks weren’t meant to last forever and their ephemerality is part of the artists’ intention. My bibliography isn’t even close to being an exhaustive list of resources related to the topic, but in what I read, I noticed a lack of connection between digital preservation as viewed through a librarian/information science lens and digital preservation as approached by those working directly in art institutions, like museums and galleries. I found it pretty interesting to think about and want to further explore these thoughts in the future.